Saturday, 22 April 2017
We are driving to London today to watch a friend run the London marathon on Sunday. He lost his wife Sarah to cancer four years ago aged just forty-two, leaving his three daughters without a Mum. He couldn't run to the bottom of the road a few months ago so doing twenty-six miles is a big deal. If you've got any spare change down the back of the sofa or in that jar on the side and fancy making a donation his Just Giving page is here.
We won't be driving back until Sunday evening so I doubt there will be any new posts here until Tuesday. See you then. This is an early track from Battersea's finest, The Orb.
Tripping On Sunshine (Live Mix)
Friday, 21 April 2017
DJ Harvey looks a bit like that bloke in your local pub who got on one in 1989 and never really got off. Five years ago he put out an album as Locussolus which came with a bunch of remixes- Weatherall, Prins Thomas, Lindstrom, Emperor Machine and this one from Richard Norris' Time And Space Machine, a summer in the Balearic Isles house thumper with a gruff vocal.
Thursday, 20 April 2017
Henry McCullough is the subject of one of 2016's best songs, recorded by BP Fallon and David Holmes, a long, euphoric, spoken word tribute to the Northern Irish guitarist and songwriter. BP Fallon's vocal was recorded when he stayed at Holmes' house, the night after Henry's funeral. It's a stunning piece of work.
On Saturday Record Shop Day will be upon us again, the annual cash cow for record companies and Ebay scalpers, with the odd sideline benefit for independent record shops and fans. In terms of its intentions starting out, it was meant to get people back into record shops. Job done I think. But it's crossed over into something else now, something more crass and brazenly commercial. On the other hand, irritatingly, there are always one or two things that I want. Andrew Weatherall's stellar remixes of this track is this year's must-have record here in the Bagging Area bunker.
Wednesday, 19 April 2017
Another long song but one that seems to shoot by far quicker than yesterday's expansive Screamadelica is Bang Bang Machine's Geek Love (also a favourite of Drew's but I don't think he's posted it this year). Bang Bang Machine, from Evesham near Worcester, never really found much success outside the indie ghetto and self financed this 12" which was also a favourite of John Peel and his listeners, who made it their Festive Fifty number one in 1992. The song starts out as indie rock but at a couple of minutes in becomes something dancier and stays there in, a dance-shoegaze groove with a totally hypnotic drum pattern and entrancing vocals, building further until finishing just after nine minutes. Lovely.
Tuesday, 18 April 2017
Can you feel the rhythm?
Some songs that are ten minutes long fly by and some feel like they are ten minutes long, a journey to wherever the artist intends to take you. Screamadelica, the title track that wasn't on the album of the same name, was recorded in Memphis with Weatherall and Nicholson at the controls and released on the Dixie Narco ep in 1992. It is ten minutes of blissful Balearic house accompanied by Denise Johnson's vocals- 'spaced out, star child, screamadelica'- and an array of found sounds and other voices. Slip inside.
Monday, 17 April 2017
I think this is the first time I've posted anything by a band from South Korea- and if Trump continues the way he's set out recently it may be the last time too. The Korean peninsula is in danger of being wiped out in by a nuclear exchange ordered by a former reality TV show host who has ended up in charge of the world's most powerful military versus the clearly barking mad son of a tyrant/traditional dictator.
Say Sue Me come from Busan and are about to tour the UK with Otoboke Beaver. They have their first release outside of South Korea out on indie label Damnably. This song, I Know I'm Kind Of Boring, is fuzzy, melodic indie rock not a million miles away from Kid Wave and I could listen to it all day. You can buy their album at Bandcamp.
Sunday, 16 April 2017
April 14th saw a load of Aphex Twin articles published across the net, in honour of his 2001 track Avril 14th. I had a vague plan to post Avril 14th but forgot about it so here I am, two days late.
Avril 14th has been used in Hollywood films, sampled by Kanye West and streamed 38 million times. It is a beautiful, minimal piano piece, two and a bit minutes long, Erik Satie-like, that sounds like a robot has been left with a piano in the small hours.
This is Avril 14th slowed down by 1000% by Evan Chapman, twenty minutes of ambient noise.